German 1805-1873
Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich. Related Paintings of Franz Xaver Winterhalter :. | Eugenie of Montijo, Empress of France | Franz Joseph I, Emperor of Austria | Countess Varvara Alekseyevna Musina-Pushkina | Napoleon Alexandre Louis Joseph Berthier, Prince de Wagram and his Daughter, Malcy Louise Caroline F | Menzelschwand (san41) | Related Artists:
BOLLONGIER, HansDutch painter, Haarlem school (b. ca. 1600, Haarlem, d. ca. 1675, Haarlem)
Hans Gillisz. Bollongier or Boulenger (Haarlem, 1600-idem, 1645) was a still life Dutch painter.
CaravaggioItalian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
Girolamo Parmigianino1503-1540 Italian Girolamo Parmigianino Galleries